Adapter ring to use the HOYA Sq100 square filter system with various lenses.The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86 mm or 82 mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to useFirst, check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens.After acquiring the corresponding adapter ring, attach the 86–86 mm geared adapter (included in the Sq100 Holder Kit) to the holder. Then, attach the adapter ring to the geared adapter. Now you can successfully attach the holder to your lens.NB! Hoya Sq100 Holder Kit is sold separately.
In landscape photography, where the scenery and horizon tend to have complex or uneven structures, gradated ND filters become absolutely essential, as they allow the photographer to balance the luminosity of bright areas with the dark areas in the image. With HOYA's Sq100 IRND16 (1.2) GRAD-S filter, the photographer has new options in using a GRAD filter which they do not have with round-type filters.TechnologyMade from toughened glass, the HD Sq100 GRAD-S series is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Using ND GRAD filters with HOYA SQ100 Square filter systemWith HOYA's Square filter system, photographers will have several ways to make use of the HOYA's Sq100 IRND16 GRAD-S filter in order to achieve the desired effect in the image. The frame of the filter system can be rotated, allowing for the ankle of the gradation border to be adjusted in any position.In addition, the vertical position of the border can be further adjusted with moving the filter up or down inside the frame. To give the user here all the possible options for positioning, the height of the filter has been lengthened to 150mm.
In landscape photography, where the scenery and horizon tend to have complex or uneven structures, graduated ND filters become absolutely essential, as they allow the photographer to balance the luminosity of bright areas with the dark areas in the image. With HOYA's Sq100 IRND8 (0.9) GRAD-S filter, the photographer has new options in using a GRAD filter which they do not have with round-type filters.TechnologyMade from toughened glass, the HD Sq100 GRAD-S series is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Using ND GRAD filters with HOYA SQ100 Square filter systemWith HOYA's Square filter system, photographers will have several ways to make use of the HOYA's Sq100 IRND8 GRAD-S filter in order to achieve the desired effect in the image. The frame of the filter system can be rotated, allowing for the ankle of the gradation border to be adjusted in any position.In addition, the vertical position of the border can be further adjusted with moving the filter up or down inside the frame. To give the user here all the possible options for positioning, the height of the filter has been lengthened to 150 mm.
The HOYA Sq100 Square Filter system offers the premium HD square filter series for long exposure shots. Incorporating the newest state of the art technology, the HD Sq100 IRND1000 filter is a deep density IRND filter, which is recommended for more creative shots that are based on extremely slow shutter speeds. It allows the photographer to capture dramatic unreal fantasy worlds that cannot be seen by the naked eye.Building on the success and history of the HOYA HD series, this series is especially designed for professionals who want to take their photography to the next level.TechnologyMade from toughened glass, the HD Sq100 is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Stacking ND filtersStacking square filters is extremely convenient due to easy and fast handling and very low risk of vignetting. Stacking ND filters in particular is one of the most common practices in photo shooting, as it allows the photographer to easily create totally new effects in photos. For example, the combination of HD Sq100 IRND8 + HD Sq100 IRND1000 will give the effect equal to ND8000, that allows to capture the surface of the sun without overexposure and with solid color and visibility of the black spots.
The HOYA Sq100 Square Filter system offers the premium HD square filter series for long exposure shots. Incorporating the newest state of the art technology, the HD Sq100 IRND64 filter is a middle density IRND filter. It is especially used to add motion blur to the object in shooting conditions that usually would not allow the camera shutter speed to do so.Building on the success and history of the HOYA HD series, this series is especially designed for professionals who want to take their photography to the next level.TechnologyMade from toughened glass, the HD Sq100 is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Stacking ND filtersStacking square filters is extremely convenient due to easy and fast handling and very low risk of vignetting. Stacking ND filters in particular is one of the most common practices in photo shooting, as it allows the photographer to easily create totally new effects in photos. For example, the combination of HD Sq100 IRND8 + HD Sq100 IRND64 will give the effect equal to an ND500 filter, that can be used to express an unreal fantasy world. Alternatively, HD Sq100 solid filters can also be stacked with HD Sq100 GRAD-S filters in order to create a motion effect while keeping the balance between light and dark in the image.
The HOYA Sq100 Square Filter system offers the premium HD square filter series for long exposure shots. Incorporating the newest state of the art technology, the HD Sq100 IRND8 filter is a light density IRND filter. It is generally used to lower the shutter speed during photo shoots on a bright sunny day for a motion effect. The filter also allows the photographer to reduce the depth of field in very bright light settings or to use a wider aperture to stay below the diffraction limit – especially when using fast lenses like F1.4 or F1.2 for a soft and beautiful bokeh.Building on the success and history of the HOYA HD series, this series is especially designed for professionals who want to take their photography to the next level.TechnologyMade from toughened glass, the HD Sq100 is designed to endure harsh conditions during travel and adventure. The IRND nano coating for both sides of the clear optical filter glass does not only remove IR contamination, but also creates a truly neutral color balance through its applied ACCU-ND technology. This prevents any noticeable color cast to your images. Additionally, its water repellent and anti-reflection coating drastically minimizes the risk of random light reflections while increasing the light transmittance.The filter glass is made of 2 mm thick, toughened optical glass that provides a four-times stronger durability than common filter glass, making the filter highly recommended for usage even in extreme shooting conditions.Stacking ND filtersStacking square filters is extremely convenient due to easy and fast handling and very low risk of vignetting. Stacking ND filters in particular is one of the most common practices in photo shooting, as it allows the photographer to easily create totally new effects in photos. For example, the combination of HD Sq100 IRND8 + HD Sq100 IRND64 will give the effect equal to an ND500 filter, that can be used to express an unreal fantasy world. Alternatively, HD Sq100 solid filters can also be stacked with HD Sq100 GRAD-S filters in order to create a motion effect while keeping the balance between light and dark in the image.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 77 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 58 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
Urth Lens Mount Adapter: Compatible with Canon (EF / EF-S) Lens to Sony E Camera Body Combine an Canon (EF/EF-S) mount with a Sony E mount. Experiment with new lens combinations and pair any Canon (EF/EF-S) mount with your Sony E mount camera. The EF-E lens mount adapter is manual, so most automatic functions - aperture, autofocus, AE metering and image stabilisation - must be set manually. Exposure settings must also be set manually. Positive impact Urth´s goal is to have a lasting positive impact on the planet. By consciously designing products that help people engage with nature and planting 1 tree for every product. Urth´s mission is to plant 1 billion trees by 2032. Conscious design There is a constant search for ways to minimise the negative impact on the planet we love. When new products are made, low-impact materials are sought and designs are refined to minimise waste. All packaging is redesigned to remove all plastic, use recycled materials and ensure they are recyclable too. Characteristics Smart design, durable materials guaranteed for life. Designed for a secure and snug fit Manual focus to infinity. Has an anti-reflective matte black finish. Lifetime warranty
Urth Lens Mount Adapter: Compatible with Canon (EF / EF-S) Lens to Sony E Camera Body (Electronic) An electronic adapter for connecting any Canon EF mount lens to any Sony E mount camera. The smart lens mount adapter is electronic, so most electronic lens functions work as usual. Experiment with new lens combinations and pair any Canon EF mount lens to your Sony E mount camera. With the EF-E Electronic Lens Mount Adapter, you can use the automatic functions - exposure, autofocus, AE metering, image stabilisation - as usual. Positive impact Urth´s goal is to make a lasting positive impact on the planet. By consciously designing products that help people engage with nature and planting 1 tree for every product. Urth´s mission is to plant 1 billion trees by 2032. Conscious design There is a constant search for ways to minimise the negative impact on the planet we love. When new products are made, low-impact materials are sought and designs are refined to minimise waste. All packaging is redesigned to remove all plastic, use recycled materials and ensure they are recyclable too. Please note: Continuous autofocus in video mode is not supported. Characteristics Smart design, durable materials guaranteed for life. Electronic connection, use most automatic functions as normal. Manual focus over the entire range to infinity. Adapter design has no light leakage and secure connection. Experiment with different lenses to create new combinations. Lifetime warranty
Urth Lens Mount Adapter: Compatible with Canon (EF / EF-S) Lens to Fujifilm X Camera Body Combine any Canon (EF/EF-S lens with any Fujifilm X lens. Experiment with new lens combinations and pair any Canon (EF/EF-S mount lens with your Fujifilm X mount camera. The EF-X lens mount adapter is manual, so most automatic functions - aperture, autofocus, AE metering and image stabilisation - must be set manually. Exposure settings must also be set manually. Positive impact Urth´s goal is to make a lasting positive impact on the planet. By consciously designing products that help people engage with nature and planting 1 tree for every product. Urth´s mission is to plant 1 billion trees by 2032. Conscious design There is a constant search for ways to minimise the negative impact on the planet we love. When new products are made, low-impact materials are sought and designs are refined to minimise waste. All packaging is redesigned to remove all plastic, use recycled materials and ensure they are recyclable too. Characteristics Smart design, durable materials guaranteed for life. Deliberately designed adapters have no light leakage and secure connection. Designed for a secure and snug fit Manual focus to infinity. Has an anti-reflective matte black finish. Lifetime warranty
Viltrox AF 35mm F/1.2 objektiiv Nikon Z kaameratele Viltrox AF 35mm F/1.2 on suure valgusjõuga fikseeritud fookuskaugusega objektiiv Nikon Z bajonetiga kaameratele. See on loodud fotograafidele ja videograafidele, kes vajavad väga head jõudlust nii väheses valguses kui ka kõrge eraldusvõimega pildistamisel. F/1.2 maksimaalne ava võimaldab pildistada hämaras ning saavutada madala teravussügavuse ja sujuva taustahägususe (bokeh). Tänu topeltujuvale sisemisele teravustamissüsteemile säilib teravus kogu fookusvahemikus, alates minimaalsest teravustamiskaugusest 0,34 m kuni lõpmatuseni. Objektiivi optiline ehitus koosneb 15 elemendist 10 grupis, sealhulgas ED-, HR- ja UA-elementidest, mis vähendavad kromaatilisi aberratsioone ning tagavad hea kontrasti ja loomutruud värvid. Kiire ja vaikne Quad Viltrox HyperVCM automaatteravustamismootor sobib nii foto- kui ka videokasutuseks. Metallist, ilmastikukindel korpus ning professionaalsed juhtnupud koos LCD-infokuvariga muudavad objektiivi sobivaks nõudlikuks tööks nii stuudios kui ka välitingimustes. Peamised omadused Tehnilised andmed Komplektis
Tootekirjeldus Nikon FTZ II adapter on loodud fotograafidele ja videograafidele, kes soovivad kasutada oma olemasolevaid F-bajonetiga NIKKOR objektiive Nikon Z seeria hübriidkaameratel. See on nutikas ja praktiline lahendus, mis ühendab klassikalise optika kaasaegse kaameratehnoloogiaga, võimaldades sul oma varustust maksimaalselt ära kasutada. Adapter tagab laialdase ühilduvuse ning säilitab automaatteravustamise ja automaatse särituse funktsioonid paljude F-bajonetiga objektiivide puhul. Samuti töötab objektiivi värinavähendus koos kaamera sisese stabilisaatoriga, pakkudes teravaid ja detailseid tulemusi ka keerukates valgusoludes. FTZ II versioon on disainitud kompaktsemaks ja ergonoomilisemaks, sobitudes paremini vertikaalse käepidemega ning pakkudes mugavamat käsitsemist nii horisontaal- kui portreeformaadis pildistamisel. Tulemuseks on sujuv töövoog nii stuudios kui ka välitingimustes. Miks valida Nikon FTZ II adapter? Kui oled investeerinud kvaliteetsetesse F-bajonetiga objektiividesse, ei pea sa Z-seeria kaamerale üle minnes oma optikast loobuma. Nikon FTZ II adapter annab sulle võimaluse jätkata tuttavate objektiividega töötamist, säilitades nende optilise iseloomu ja jõudluse. See on ideaalne lahendus: Adapter aitab sul säästa kulusid, pikendada olemasoleva varustuse eluiga ning muuta üleminek uuele kaamerasüsteemile sujuvaks ja loogiliseks. Peamised omadused Nikon FTZ II adapter on praktiline sild kahe süsteemi vahel – see ühendab Nikon DSLR-maailma kogemuse ja Z-seeria innovatsiooni. Kui soovid oma loomingulist vabadust säilitada ja samal ajal kasutada uusimat kaameratehnoloogiat, on see adapter kindel ja tulevikukindel valik.
Four color filters (Green, Yellow, Red, Blue) in a pack to color light for the background. AD-S11, AD-S12 Filters can be easily and fast attached to standard reflector by using a black retaining ring. Filter Size: φ120mm (φ4.8in.), Weight: 30g. Standard Honeycomb Cover. Designed to work with standard reflector. Limits light spread and provides sharper shadows. Size: φ116mm Weight: 22g.
Suitable for Sony Alpha a7 II, a7R II, and a7S II Cameras; For FA-WRR1 Wireless Radio Receiver; Wireless Triggering of your Camera; Multi Terminal Connectors
Godox Mini TT350P Thinklite TTL Flash is with full support for Pentax TTL. It is including high-speed sync, and a built-in 2.4GHz radio system. It is an excellent everyday companion for your camera. With a lightweight design and guide number of 118´ at ISO 100 and 105mm, the TT350P is useful for both on-camera and off-camera operation. Users can also use it as an optical slave in addition to use as a radio TTL master/slave unit. It is versatile as well with the ability to tilt from -7 to 90° and rotate 270°. Multiple functions and features are built into the unit, including HSS, stroboscopic flash, 1st and 2nd curtain sync, and more. It is also easy to use with a rear LCD and it works quickly with a recycle time of 0.1-2.2 seconds. Additionally, it runs on just two AA batteries. An integrated 2.4 GHz X radio system is incorporated into the TT350P for wireless triggering. Able to be sеt up as a master or slave, this flash will help you create a versatile lighting sеtup with a range of 328´ and support for 16 channels and three groups. It can also work with an optional X series transmitter for creating more elaborate sеtups. Being compatible with Pentax´s TTL system, users will enjoy numerous automated flash sеttings and the ability to use functions such as high-speed sync. With a guide number of 118´ at ISO 100 and 105mm the TT350P will illuminate most subjects. It also features a zoom head with a range of 24-105mm and a 14mm wide-angle panel for using a variety of different lenses. Manual power control from 1/1 to 1/128 in 1/3 EV steps. The flash head can be tilted from -7 to 90° and rotated a total of 270° for controlling bounce and where the light falls on the scene. Optical slave mode is available for working with other standard flashes. This flash runs on two alkaline or NiMH AA batteries which help deliver about 210 full-power flashes and recycle times of 0.1-2.2 seconds. USB connection for installing future firmware updates.
Elinchrom Transmitter Pro Canon. All You Need In One Single Place, TTL, HSS or Hi-Sync. All features a photographer may need are now compiled in one single transmitter. With a visual feedback interface, have access to High Speed Sync or Hi-Sync to seamlessly synchronise at speeds of up to 1/8000s. Freeze motion, darken and overpower the ambient light or use wider aperture. The Elinchrom Transmitter PRO is more than just a trigger for flash units, it is the entrance to an open world with endless freedom. Elinchrom Transmitter Pro: TTL, HSS or Hi-Sync. All features a photographer may need are now compiled in one single transmitter. With a visual feedback interface, have access to High Speed Sync or Hi-Sync to seamlessly synchronise at speeds of up to 1/8000s. Freeze motion, darken and overpower the ambient light or use wider aperture. The Elinchrom Transmitter Pro is more than just a trigger for flash units, it is the entrance to an open world with endless freedom. The Elinchrom Transmitter Pro is compatible with the three previous generations of flash units (including the EL-Skyport Transceiver RX module for Style RX, Digitial RX, and Ranger RX systems, the integrated EL-Skyport modules for D-Lite RX, BRX, ELC Pro HD and ELB series.). Please note, HSS and TTL is only available with the ELB 500 TTL. Hi-Sync is only available with the D-Lite RX 4, the ELB 400 and the ELB 1200.
