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HOYA FUSION ONE NEXT is a renewed series of HOYA FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers provide ultra-high light transmission Filters unwanted UV light before it reaches the sensor Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean HOYA's professional grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter thread

Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 77 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost

Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 58 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost

HOYA FUSION ONE NEXT is a renewed series of HOYA FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers drastically minimize ghosts and flares Ultra-smooth frame rotation Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean HOYA's professional grade optical glass HOYA exclusive two-piece, low-profile filter frame with front filter thread

Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 72 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost

For the past several years slow shutter photography is becoming an extremely popular genre because it provides ample opportunities to express the world around in an artistic and unusual way. For this purpose ND filter appears to be a necessary tool.But which ND filter is better to start with? This question might raise in mind of many amateur photographers who decided to challenge themselves in slow shutter photography. Keeping this question in mind we created an essential ND kit to help photographers quickly start this challenge.HOYA PROND EX FILTER KIT is an essential filter kit designed for amateur or professional photographers and video content creators. The kit consists of 3 ND filters - PROND EX 8, PROND EX 64 and PROND EX 1000, that allow photographer to capture the world in different expressions.The choice of ND filters depends on intentions of the photographer to control the shutter speed or aperture. The content of the HOYA PROND EX FILTER KIT is based on our sales data and experience of selling millions of ND filters all over the world. PROND EX 8, PROND EX 64 and PROND EX 1000 are the most essential ND filters that will help to realize three expressions that we consider to be commonly used among the photographers.HOYA PROND EX FILTER is a high technological product that is designed for still and HDSLR videography. The PROND EX filters use HOYA's exclusive clear optical glass that incorporates a metallic coating on front and back side to equally reduce almost all range of the light spectrum even in IR area. The ACCU-ND technology used in the coating process yields a truly neutral color balance that will not add any noticeable color cast to your images. HOYA PROND EX filters incorporates precisely developed thick aluminum frame to prevent light leakage, thus obtain correct exposure and color balance.PROND EX 8 (3-stops)HOYA PROND EX 8 is essential for shooting with fast lenses at wide open aperture during the daytime, which is perfect for portraiture at shallow depth of field. The subject appears crisp and clear on the soft blurred background. Other recommended scenes are night trails, fireworks and lightnings.PROND EX 64 (6-stops)HOYA PROND EX 64 is essential for expressing the object in blurred motion during the daytime, which cannot be realized only with camera settings. Recommended for landscape, city snapshot, video and other photographic genres.PROND EX 1000 (10-stops)HOYA PROND EX 1000 is essential for expressing an unreal fantasy world thanks to its 10 stops reduction of the light amount. Widely used in seascape to blur the waves, street snap to apply clouds motion and architecture to erase moving people.PROND EX filters in video productionND filters in video shooting is also an irreplaceable tool. For example, when shooting with Sony camera in Slog mode, ISO cannot be set below 800. To obtain natural motion shutter speed is recommended to be adjusted to frame/rate setting. During the daytime PROND EX 8, PROND EX 64, PROND EX 1000 or its combination (like PROND EX 8 + PROND EX 64) would be necessary to achieve cinematic quality.Combinatsions of PROND filtersThe choice of ND filters depends on photographer intentions to achieve the desired effect in the image. In case the effect by using single ND filter does not satisfy photographer's vision, combination of PROND EX filters can also be useful. For example, the combination of PROND EX 8 + PROND EX 64 will give the effect equal to ND500 filter, that can be used to express an unreal fantasy world. The combination of PROND EX 8 + PROND EX 1000 will give the effect equal to ND8000, that will allow to capture the surface of the Sun without overexposure with solid color and visibility of the black spots.

Adapter ring to use the HOYA Sq100 square filter system with various lenses.The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86 mm or 82 mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to useFirst, check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens.After acquiring the corresponding adapter ring, attach the 86–86 mm geared adapter (included in the Sq100 Holder Kit) to the holder. Then, attach the adapter ring to the geared adapter. Now you can successfully attach the holder to your lens.NB! Hoya Sq100 Holder Kit is sold separately.

Adapter ring to use the HOYA Sq100 square filter system with various lenses.The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86 mm or 82 mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to useFirst, check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens.After acquiring the corresponding adapter ring, attach the 86–86 mm geared adapter (included in the Sq100 Holder Kit) to the holder. Then, attach the adapter ring to the geared adapter. Now you can successfully attach the holder to your lens.NB! Hoya Sq100 Holder Kit is sold separately.

Adapter ring to use the HOYA Sq100 square filter system with various lenses.The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86 mm or 82 mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to useFirst, check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens.After acquiring the corresponding adapter ring, attach the 86–86 mm geared adapter (included in the Sq100 Holder Kit) to the holder. Then, attach the adapter ring to the geared adapter. Now you can successfully attach the holder to your lens.NB! Hoya Sq100 Holder Kit is sold separately.

Adapter ring to use the HOYA Sq100 square filter system with various lenses.The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86 mm or 82 mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to useFirst, check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens.After acquiring the corresponding adapter ring, attach the 86–86 mm geared adapter (included in the Sq100 Holder Kit) to the holder. Then, attach the adapter ring to the geared adapter. Now you can successfully attach the holder to your lens.NB! Hoya Sq100 Holder Kit is sold separately.

Adapter ring to use the HOYA Sq100 square filter system with various lenses.The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86 mm or 82 mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to useFirst, check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens.After acquiring the corresponding adapter ring, attach the 86–86 mm geared adapter (included in the Sq100 Holder Kit) to the holder. Then, attach the adapter ring to the geared adapter. Now you can successfully attach the holder to your lens.NB! Hoya Sq100 Holder Kit is sold separately.

Adapter ring to use the HOYA Sq100 square filter system with various lenses.The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86 mm or 82 mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to useFirst, check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens.After acquiring the corresponding adapter ring, attach the 86–86 mm geared adapter (included in the Sq100 Holder Kit) to the holder. Then, attach the adapter ring to the geared adapter. Now you can successfully attach the holder to your lens.NB! Hoya Sq100 Holder Kit is sold separately.

Adapter ring to use the HOYA Sq100 square filter system with various lenses.The HOYA Sq100 Holder Kit principally includes two geared adapters which can attach the holder to a lens with a front lens diameter of either 86 mm or 82 mm. For other smaller lens sizes, Adapter Rings can be purchased that allow the holder to be attached to their corresponding size.How to useFirst, check the size of the filter diameter of your lens. The size is usually written on the back side of the lens cap, but can also be found in the manual of your lens.After acquiring the corresponding adapter ring, attach the 86–86 mm geared adapter (included in the Sq100 Holder Kit) to the holder. Then, attach the adapter ring to the geared adapter. Now you can successfully attach the holder to your lens.NB! Hoya Sq100 Holder Kit is sold separately.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.

HOYA FUSION ONE NEXT is a renewed series of HOYA FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers provide ultra-high light transmission Filters unwanted UV light before it reaches the sensor Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean HOYA's professional grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter thread

50 mm laiapertuuriga standardne objektiiv kvaliteetse optika ja Nikoni eksklusiivse funktsiooniga Silent Wave Motor (SWM) ülivaikseks töötamiseks. Sisaldab f/1,4 maksimaalselt suurt apertuuri, mis tagab ereda pildiotsija pildi ja on ideaalne ...

Kompaktne telefotoobjektiiv, mis viib teid sündmuste keskmesse. Pildistabilisaator hoiab ära kaamera soovimatust liikumisest tekkivat hägusust. STM-tehnoloogia tagab filmimisel sujuva ja vaikse teravustamise.

Kvaliteetse viimistlusega metallkorpuses objektiivi optilises süsteemis on lisaks muudele läätsedele kasutatud asfäärilist läätse ning Super EBC vääristust. Komplektis objektiivikorgid ning päikesevarjuk, varjuki kork, mikrofiibrist kaitsekott.

FX-formaadis 300 mm objektiiviga pole kaugus probleem. See on esimene F-kinnitusega NIKKORi objektiiv, mis on varustatud elemendiga Phase Fresnel. Objektiiv pakub ülimat tasakaalu kompaktse kujunduse, telefoto ulatuse ja kõrge ...

E-Mount Lens/Full-Frame Format, Aperture Range: f/2.8 to f/22, Distagon Optical Design, Four Aspherical Elements, Seven Special Glass Elements, Floating Elements System, Zeiss T* Anti-Reflective Coating, OLED Display for Focus ...

Kaamera bränd: PENTAX; Objektiivi tüüp: Teleobjektiiv Zoom; Fookuskaugus: 50 - 200 mm; Optiline suum: 4x; Pildistabilisaator: Ei; Diafragma: F/ 4 - 5.6; Kinnitus: Pentax KA/ KAF/ KAF2; Makro režiim: Ei; Garantii füüsilistele isikutele: 2 aastat

Fujifilm konverter XF2.0x TC WR

Kaamera bränd: FUJIFILM; Objektiivi tüüp: "Fish-eye"; Fookuskaugus: 8 mm; Diafragma: F/ 2.8; Kinnitus: Fujifilm X Mount; Garantii füüsilistele isikutele: 2 aastat

24 mm lainurk-fiksobjektiiv; Valgusjõuline - f/2.8 maksimaalne ava; Kiire ning täpne OSD teravustamismootor; Perfektne maastiku ja arhitektuuri pildistamiseks; Sony α pool- ja täiskaader hübriidkaameratele

Kaamera bränd: SONY; Objektiivi tüüp: Teleobjektiiv; Fookuskaugus: 135 mm; Pildistabilisaator: On; Diafragma: F/ 2.8; Kinnitus: Sony E; Garantii füüsilistele isikutele: 2 aastat; Garantii juriidilistele isikutele: 1 aasta

24–240 mm supersuumobjektiiv; 10× suumivahemikuga; Kiire ning vaikne USM teravustamismootor; Integreeritud Canon IS pildistabilisaator; Canoni täiskaader hübriidkaameratele

Kaamera bränd:NIKON; Objektiivi tüüp:Makroobjektiiv; Fookuskaugus:25; Kinnitus:Nikon F; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:CANON; Objektiivi tüüp:Makroobjektiiv; Fookuskaugus:100; Kinnitus:Canon RF; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:Muu; Objektiivi tüüp:Makroobjektiiv; Fookuskaugus:50; Kinnitus:4/ 3; Garantii füüsilistele isikutele:2 aastat

Kaamera bränd:NIKON; Objektiivi tüüp:Makroobjektiiv; Fookuskaugus:15; Kinnitus:Nikon F; Garantii füüsilistele isikutele:2 aastat

HD Pentax D-FA 100mm f/2.8 Macro ED AW objektiiv, must

Sealife Ultra-Wide Angle Dome Lens (SL052) - Micro Series, RM-4K The ultra-wide angle lens with dome port for the ReefMaster 4K and the Micro Series from SeaLife. This lens expands the camera's field of view by almost 50% and allows you to get three times closer to the subject. The ultra-wide angle lens is made of high-quality optical glass components that are arranged in 4 groups and thus enable a razor-sharp image across the entire lens width. All optical elements are multi-coated to prevent internal glare and maximize light transmission. When used with the Micro 3.0, the lens has an effective focal length of 13.3 mm, and is waterproof up to 60 m. The lens is compatible with all cameras of the SeaLife Micro Series (Micro HD, HD+, Micro 2.0, Micro 3.0). In addition, it can be used with the ReefMaster RM-4K, which increases the viewing angle of the small camera to a strong 196°. The new ultra-wide angle dome lens is a "wet lens" that can be easily attached and removed underwater. A locking ring prevents the lens from being lost due to shocks or rough conditions. A lanyard included in the delivery prevents the lens from being lost underwater. When not in use. The inner airspace is filled with nitrogen to prevent fogging under extreme temperature conditions. The rotatable light shield prevents unwanted glare from external lighting or sunlight and protects the dome lens from impacts. Features: Suitable for the Sealife Micro Series and RM-4K 3 times closer and 43% wider field of view Optimizes edge sharpness Removable lanyard included Technical data: Optical construction: 4 elements / 4 groups Viewing angle: Micro 3.0: Increases the field of view from 100° to 143° / RM-4K Increases the field of view from 140° to 196° Optical coatings: Air-to-glass surfaces that are fully multi-coated with anti-reflective coating Magnification ratio: 0.7x underwater Mounting method: The snap-on lens ring snaps onto cameras of the SeaLife Micro Series and RM-4K on land or underwater Focus range: 3x closer: 5” to infinity with Micro 3.0; 4” to infinity with RM-4K Lens weight (single): 331 g on land; 170 g underwater Lens dimensions (diameter x length): 99 x 40 mm Depth: Depth tested up to 60 m Buoyancy: Negativ

The UX II UV filter with water repellent coating is a redesign of the HMC UV(C) filter, now integrated into the new standard class UX II series along with the UX II CIR-PL filter. The UX II UV filter is a completely new concept design product targeting the entry class users and providing high quality standards with basic and contemporary functions."UX" in the series name stands for "User eXperience", as to indicate all the experiences that users will acquire through using these filters and all that comes with. By naming this series UX, we aim to offer users better individual experiences through all the activities connected with photography.Though not visible to the naked eyes, UV rays may affect the image when shooting in locations like seaside or mountainous environments, resulting in blurred contours or faded and whitish images.UV filters can suppress the UV spectrum contained in daylight that mainly causes poor effects on the images. This filter can be used with both film and digital cameras, and assures more vivid images. In addition, by keeping it constantly attached, this filter serve as everyday lens protection.Anti-reflection coating prevents unwanted reflections and increases light transmittance.Water-repellent coating has been added to the anti-reflective coating. This coating repels water drops and makes easier to clean the filter surface from dirt or fingerprints.The slim frame assures no vignetting even for wide angle lenses.

Protect your valued lensesThis is the ultimate in clear filters. It will not affect the color balance or performance of your lenses in the slightest. However, constant use will protect your valued lenses from expensive front element damage which could be caused by dirt, knocks or scratches.HD Glass Ultra Clear High Transparency Optical Glass Chemically Enhanced Optical Glass is 4x Stronger HD Coating 16-layer (both sides) Anti-Reflective Multi-Coating Water & Oil Repellent, Scratch & Stain Resistant HD Frame Wide-Angle Lens Compatible Ultra Thin Frame Glass Mounted with High Pressure Press Technology