Every day we walk past adventures. Treasures hidden in plain sight, tucked away in nature, so close we don’t even notice. But some see past the obvious and go even closer to find an unseen world full of majesty, mystery, and borderline magic. There are no encounters too close or curiosity too courageous here. But enter at your own peril, for once you taste the never-ending world of outdoor macro, you might never see your surroundings in the same way again. Every leaf can be a home for wildlife, every bush a canvas for art, and every water droplet a mirror for the very soul of the forest. This is our ode to those who see the unseen.
Sealife Ultra-Wide Angle Dome Lens (SL052) - Micro Series, RM-4K The ultra-wide angle lens with dome port for the ReefMaster 4K and the Micro Series from SeaLife. This lens expands the camera's field of view by almost 50% and allows you to get three times closer to the subject. The ultra-wide angle lens is made of high-quality optical glass components that are arranged in 4 groups and thus enable a razor-sharp image across the entire lens width. All optical elements are multi-coated to prevent internal glare and maximize light transmission. When used with the Micro 3.0, the lens has an effective focal length of 13.3 mm, and is waterproof up to 60 m. The lens is compatible with all cameras of the SeaLife Micro Series (Micro HD, HD+, Micro 2.0, Micro 3.0). In addition, it can be used with the ReefMaster RM-4K, which increases the viewing angle of the small camera to a strong 196°. The new ultra-wide angle dome lens is a "wet lens" that can be easily attached and removed underwater. A locking ring prevents the lens from being lost due to shocks or rough conditions. A lanyard included in the delivery prevents the lens from being lost underwater. When not in use. The inner airspace is filled with nitrogen to prevent fogging under extreme temperature conditions. The rotatable light shield prevents unwanted glare from external lighting or sunlight and protects the dome lens from impacts. Features: Suitable for the Sealife Micro Series and RM-4K 3 times closer and 43% wider field of view Optimizes edge sharpness Removable lanyard included Technical data: Optical construction: 4 elements / 4 groups Viewing angle: Micro 3.0: Increases the field of view from 100° to 143° / RM-4K Increases the field of view from 140° to 196° Optical coatings: Air-to-glass surfaces that are fully multi-coated with anti-reflective coating Magnification ratio: 0.7x underwater Mounting method: The snap-on lens ring snaps onto cameras of the SeaLife Micro Series and RM-4K on land or underwater Focus range: 3x closer: 5” to infinity with Micro 3.0; 4” to infinity with RM-4K Lens weight (single): 331 g on land; 170 g underwater Lens dimensions (diameter x length): 99 x 40 mm Depth: Depth tested up to 60 m Buoyancy: Negativ
HOYA engineers have developed a new ANTISTATIC coating that acts like a force field around the filter to repel dust. Perfect for environments where dust is common, these filters require less frequent cleaning and maintenance than traditional filters. Additionally, the hardened, antistatic top-layer is water repellent and stain resistant, and cleans easily when smudges or fingerprints are introduced to the surface.The new FUSION ANTISTATIC NEXT professional filters are made in Japan using hand selected silicates that are carefully smelted and blended to yield high performance optical glass. HOYA uses extreme care and precision to apply the improved 18-Layer Super Multi-Coating (both sides) formula which greatly reduces or eliminates reflections on the surface of the glass and yields a ultra clear high transmission rate. This means the filter has virtually no effect on the color balance, contrast, or clarity of the final image.The filters features a lightweight, one-piece, low-profile aluminum frame to house the glass. This one-piece design allows the filter to maintain perfect parallel alignment to the sensor plane for maximum sharpness, while the low-profile form eliminates vignetting when used on ultra-wide-angle lenses. Antistatic coating repels dust Ultra Clear High Transmission Stain resistant - Protects against exposure to ink, markers etc. Water repellent – Water beads up and wipes away easily Fingerprints and smudges wipe away cleanly HOYA's Professional-grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter threads
HOYA FUSION ONE NEXT is a renewed series of HOYA FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers drastically minimize ghosts and flares Ultra-smooth frame rotation Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean HOYA's professional grade optical glass HOYA exclusive two-piece, low-profile filter frame with front filter thread
HOYA FUSION ONE NEXT is a renewed series of FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers provide ultra-high light transmission Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean For permanent lens protection HOYA's professional grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter thread
HOYA FUSION ONE NEXT is a renewed series of FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers provide ultra-high light transmission Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean For permanent lens protection HOYA's professional grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter thread
Neutral density (ND) filters are the most demanded and essential type of photographic filters because of several reasons. For photographers ND filter means precise control of the amount of light passing through the lens for greater creative control over exposure. For video content creators ND filters helps much to set shutter speeds to match the frame-rate while maintaining the depth-of-field of the footage.Among the varieties of ND filters from ND2 to ND1000 even ND100000, we can generally categorize ND filters into 3 basic groups: Light density filters (ND2 – ND8) Middle density filters (ND16 – ND200) Deep density filters (ND500 – ND1000 / ND100000) Light density filters will lower the shutter speed in the bright sunny day to allow you to reduce depth of field in very bright light or to use a wider aperture to stay below the diffraction limit. For example, these filters are necessary to shoot with your fast lenses like F1.4 or F1.2 with aperture wide open for softer and more beautiful bokeh.Middle density filters will help you to add motion blur to the object in the conditions that generally will not allow camera shutter speed to do so.If you are for more creative shots that are based on extremely slow shutter speeds - deep density filters are to be suggested. ND filters like ND500 or ND1000 will help to capture dramatic unreal fantasy world that cannot be seen by the human eye.Color shift issue solutionHOYA offers its own exclusive and wide lineup of ND filters that are branded into PROND EX series for both photographers and filmmakers. PROND EX filters adopt HOYA's clear optical glass that is mounted into a lightweight, precisely crafted aluminum frame. The frame has front filter threads so you can attach additional filters or a lens cap.Thanks to ACCU-ND technology that puts HOYA ND filters far ahead from other brands the image undergoes no negative affect from color shift that may occur due to low-quality materials, poor manufacturing QC, or issues with leaking of the Infrared band of the light spectrum. The last problem is the most important nowadays in photography and videography.HOYA's exclusive ACCU-ND technology achieves equal reduction of the light in visible and IR spectrums. As a result the photographer may not fear any issue with color shift when using HOYA ND filters in different shooting conditions.PROND filters in video productionND filters in video shooting is also an irreplaceable tool. For example, when shooting with Sony camera in Slog mode, ISO cannot be set below 800. To obtain natural motion shutter speed is recommended to be adjusted to frame/rate setting. During the daytime PROND EX 8, PROND EX 64, PROND EX 1000 or its combination (like PROND EX 8 + PROND EX 64) would be necessary to achieve cinematic quality.Combinations of PROND filtersThe choice of ND filters depends on photographer intentions to achieve the desired effect in the image. In case the effect by using single ND filter does not satisfy photographer's vision, combination of PROND EX filters can also be useful. For example, the combination of PROND EX 8 + PROND EX 64 will give the effect equal to ND500 filter, that can be used to express an unreal fantasy world. The combination of PROND EX 8 + PROND EX 1000 will give the effect equal to ND8000, that will allow to capture the surface of the Sun without overexposure with solid color and visibility of the black spots.
The V-AF Manual Focus Adapter enables you to add precise manual focus control to your Cine V-AF lenses. The adapter easily attaches to the front of any Cine V-AF lens with a unique front bayonet mount, giving filmmakers and videographers total control over focus. The Manual Focus Adapter features a dual scale with both feet and meters, and fine focus adjustments can be made with a smooth 300° rotation. The focus ring has an industry standard 0.8 MOD and can be combined with any follow focus. When the Manual Focus Adapter is attached, the focus ring on the lens can be used as an aperture ring. A tally lamp on the front lets the subject or photographer know if the camera is in a recording or in standby state. The front of the Manual Focus Adapter is compatible with 95mm matte boxes. Adapter for Samyang Cine V-AF lenses Enables precise manual focus control Can be used as an aperture ring Dual scale with both feet and meters Front diameter: 95 mm
Kvaliteetne makroobjektiiv Micro Four Thirds süsteemile.; Selle Leica fookuskauguse ekvivalent 35mm kaamera mõistes on 90 mm. Objektiiv on varustatud optilise Mega O.I.S pildistabilisaatoriga ning suudab jäädvustada elusuuruses 1:1 makrovõtteid.
See kauni disaini ja taskukohase hinnaga objektiiv on suurepäraseks lisandiks iga harrastaja kaamera komplekti. Tänu kiirelt muudetavale avale, sobib see objektiiv ideaalselt kaunite portreepiltide jäädvustamiseks, millel on ...
Full frame compatible, the Samyang 100mm is a close up true Macro lens offering 1:1 reproduction ratio for stunning close up and macro and creative photography., Featuring vivid colour reproduction and soft out of focus highlights ...
LEICA DG objektiiv – parim optika Valige LEICA DG objektiiv ja teile on tagatud parim optiline kvaliteet ja sooritusvõime. Need objektiivid vastavad Leica Camera AG kõrgetele kvaliteedistandarditele. Tänu objektiivi täiustatud disainile on ka foto servad ülimalt selged. Moonutuste vältimine tagab täpsed ja teravad fotod. See tähendab, et teie kasutada on professionaalset kvaliteeti võimaldav objektiiv. Nanopindkate – selged ülesvõtted iga nurga alt Ennetage vastupeegeldusi ja parasiitkujutisi – antud süsteemi läätsed on kaetud nanopindkattega. Üliõhukese ja erilise pindkatte töötas algselt välja Panasonic, et vähendada peegeldusi kogu valgusspektri ulatuses. Tulemus: kristallselged fotod isegi siis, kui pildistate valgusallikat pimeduses. Video tugi – suurepärane videosalvestus Tänu video toele on LUMIXi kaamera kasutajal videosalvestuseks kõik vajalik olemas. Lisaks avasuuruse sujuvale muutmisele on kogu süsteem hääletu ja võimaldab heli paremini jäädvustada. Samuti tagab objektiivi hämmastav automaatteravustamise funktsioon suurepärased 4K-video salvestamise võimalused ja täpse fokuseerimise. Pritsme-/tolmu-/külmakindel – rohkem võimalusi Jäädvustage hetki kõikjal ja pea iga ilmaga. Tänu objektiivi pritsme-/tolmu-/külmakindlale ehitusele* talub see isegi intensiivset kasutust välitingimustes. Objektiiv on kaitstud nt liiva ja vihma eest, mistõttu sobib see suurepäraselt karmides oludes pildistamiseks. Nüüd ei hoia teid looduse või maastiku jäädvustamisel enam miski tagasi. H-E08018 15 elementi 10 rühmas: • 1 asfääriline eriti madala dispersiooniga lääts • 3 asfäärilist läätse • 2 Madala dispersiooniga läätsed • 1 Ülikõrge murdumisteguriga lääts Asfääriline (ASPH) eriti madala dispersiooniga (ED) lääts aitab vähendada objektiivi suurust ja kaalu ning tagab suure eraldusvõime ja kontrastsuse kogu pildi ulatuses. Asfäärilised (ASPH) läätsed vähendavad ka suurust ja kaalu ning väldivad sfäärilist ja moonutuslikku aberratsiooni. Eriti madala dispersiooniga (ED) läätsed parandavad kromaatilist aberratsiooni, tagades suure kontrastiga teravad ja selgete värvidega fotod. Ülikõrge murdumisteguriga (UHR) läätsed parandavad optilist jõudlust, vähendavad suurust ja kaalu ning saavutavad ühtlase pildikvaliteedi foto keskelt selle äärteni. * Selle omaduse kasutamiseks tuleb objektiiv paigaldada pritsme-/tolmu-/külmakindlale LUMIX kaamerale.
100–400 mm telesuumobjektiiv; Kiire ning vaikne lineaarne mootor; Ilmastikukindel konstruktsioon; Võimekas pildistabilisaator, kuni 5 stoppi; Fujifilm X-seeria hübriidkaameratele
Lainurgast teleobjektiivini, kattes ära vahemiku 27 mm kuni 206 mm (35 mm ekvivalendina) See objektiiv sobib kasutamiseks väga paljudes erinevates situatsioonides, kattes ära enimkasutatud fookuskaugused. Alates laiast vaatenurgast arhitektuuri või maastiku pildistamisest 27 mm* asendis, normaalasendis naturaalse perspektiiviga (35 mm*, 40 mm*, 50 mm*) ning lõpetades teleasendiga portreede pildistamiseks (85 mm*, 135mm*) ning spordiürituste jäädvustamiseks (200 mm*). Seda kõike ühe 7,5× suumiga objektiivis. Selleks, et saavutada nii paindlik ning mitmekülgne, samas eeskujuliku optilise kvaliteediga objektiiv, kasutati selle objektiivi optilises konstruktsioonis nelja asfäärilist klaasi, kahte madala dispersiooniga elementi ning ka mitmekihilist HT-EBC vääristust. * 35 mm ekvivalendina Ilmastikukindel struktuur Objektiiv on loodud igas aspektis vastu pidama erinevatele ilmastikutingimustele. Seetõttu on objektiivis 20 erinevat tihendit, hoidmaks sisemuse kuival vihmas ning tolmus. Kiire ning vaikne teravustamine XF18-135mmF3.5-5.6 R LM OIS WR kasutab sisemist lineaarset teravustamismootorit, mis tagab ülikiire teravustamise faasituvastusega sensoriga X seeria kaamera ees. Lisaks on mootor ka ülivaikne, mis võimaldab omakorda pildistada linde ja muid arglikke loomi ning loomulikult ka üritustel, kus on vaja müra minimaalsena hoida. Eeskujulik 5-stopine stabilisaator Objektiivis on kaks asendisensorit, mis tuvastavad liikumist ning lisaks ka parendatud algoritmid. Tulemuseks on stabilisaatorimehhanism, mis lubab pildistada statiivi kasutamata isegi kuni 5 astet pikema säriajaga, kui tavaolukordades oleks võimalik.
70–200 mm klassikaline telesuumobjektiiv; Valgusjõuline - läbiva f/2.8 avaga; Võimekas pildistabilisaator, kuni 5 stoppi; Kiire ning vaikse Dual Nano USM teravustamismootoriga; Canon L-seeria - parim nõudlikule professionaalile
Kõige universaalsema fookusvahemikuga Samyang AF 24-70 mm F2.8 FE objektiiv sobib väga paljudeks võtteolukordadesks. Samyang´i lineaarse STM (Stepping Motor) töö on raskete läätsegruppide liigutamisel vaikne, kiire ja täpne. Videovõtetel saate fookuspunkti üleminekud muuta sujuvateks ja filmilikeks. Fookuspunkti saate suumimisel hoida muutumatuna (par-focal function) ning „focus breathing“ fookuskauguse muutmisel on viidud miinimumini. Teravustamisrõnga tunnetus käsitsi teravustamisel on viidud võimalikult lähedaseks käsitsi teravustatavate objektiivide liikumisele, et videovõtetel säiliks teile juba sisse harjunud tunnetus. The new 24-70 is adapted for many different types of situations with requirements for high image quality. It´s a versatile lens that works great for portraits, landscapes and lifestyle. With Samyang´s linear STM (Stepping Motor) it satisfies both photographers and videographers by quieter and more accurate control of large and heavy focusing lens groups. It operates fast yet quietly and smoothly in video recording and provides cinematic transitions. The Par-focal function maintains the focus on the subject when zooming in/out and minimizes focus breathing. The linear MF control provides convenience to video shooters by realizing the torque of the focus ring as closely as possible to that of a manual video lens when shooting video in manual mode. Thanks to an advanced optical construction that consists of 17 elements in 14 groups (2 ASP, 1 H-ASP, 3 HR and 3 ED) the lens will provide a stunning image quality with great corner-to corner sharpness. The lens uses a large f/2.8 aperture to provide smooth background blur and effectively separates the subject and the background using a shallow depth of field to capture a unique image of an ultra-wide angle in which the background is compressed. The 9 blades create a smooth and natural bokeh. The housing is made of lightweight aluminium and weight is 1027g without lens hood. Weather sealing protects the lens and ensures that you can use it even in harsh weather conditions. The focus ring has a micropattern texture to give the user a great grip and feels good to operate. On the side of the lens is a custom switch that lets the user adjust the aperture with the focus ring. Using the Lens Station, you can sеt different function to the switch (more functions will be added trough firmware update in the future). Key specifications: Great image quality f/2.8 thru entire zoom range Weather sealed Works great for both video and photo
The NIKKOR Z 17-28mm f/2.8 is an essential lens for travel, events, and creative storytelling, this fast ultra-wide-angle zoom is built to let photographers and video shooters widen their creative palette—and carry less weight. From epic views to frame-filling close-ups, the NIKKOR Z 17-28mm f/2.8 is the perfect lens with which to tell diverse visual stories from a unique point of view. Landscapes to cityscapes. Expansive skies to street scenes. Architecture to interiors. The 17-28mm focal length range lets photographers nail detailed, all-encompassing wide-angle shots—or play with a sense of scale and exaggerate perspectives. Video shooters can draw viewers into a scene with wide establishing shots, or create a sense of space when shooting in tight quarters. Designed to enable confident and creative wide-angle photography, the NIKKOR Z 17-28mm f/2.8 is both versatile and easy to use. The f/2.8 constant aperture is great for shooting in available light or working creatively with shutter speeds—and the lens renders big, beautiful bokeh when shooting wide open. Users who want to go for dramatic ultra-wide-angle close-ups will benefit greatly from the minimum focusing distance of just 0.19 m, which allows sharp, clear results when shooting at close range. In addition, the lens’ wide zoom ring enables comfortаble handling and steady framing. And Nikon’s responsive AF focuses quickly on subjects whether they’re positioned in the foreground or the background.
The M.Zuiko Digital ED 75–300mm F4.8–6.7 II (150–600mm*) super-telephoto lens is predestined for those long shots off in the distance, which you can magically bring nearer at a turn of the wrist. Extremely compact and lightweight, it enables you to be close to your subject without having to get so near. This high-power zoom lens has two additional benefits: it comes with a unique screw drive mechanism, which is especially quiet for shooting films and has a very fast autofocus function (MSC) for taking rapid-fire still shots.
Lens cap prevents dust and dirt buildup when the lens is not in use, and also safeguards it against scratches, fingerprints, bumps and other light impact. Easy to attach and remove from lens Protects front lens surface For lens with 77 mm filter thread
Hingemattev detailsus ja piiritu loovusSee G2 teise põlvkonna ülilainurk-suumobjektiiv ühendab valgusjõulise f/2.8 ava, laia fookusvahemiku ning kerge ja kompaktse disaini. Lase oma kujutlusvõimel vabalt lennata – nüüd veelgi laiemalt. Säilitades eelkäija liikuvuse ja mitmekülgsuse, avab 16-30mm f/2.8 G2 uusi loomevõimalusi, pakkudes ainulaadseid väljendusviise, mida ainult valgusjõuline ülilainurkobjektiiv suudab.Avarda vaadet, avarda võimalusiSuumivahemiku laienemine mõlemas otsas – 17 mm asemel 16 mm ja 28 mm asemel 30 mm – annab veelgi laiema vaatevälja ning rohkem vabadust loominguliseks väljenduseks. See muudab objektiivi ideaalseks maastiku- ja tänavafotograafia jaoks.Kerge, kompaktne ja loodud liikumiseksVaatamata olulistele täiustustele säilitab uus mudel oma eelkäijaga võrreldava erakordselt kerge ja kompaktse disaini. Tänu suurepärasele kaasaskantavusele sobib see suumobjektiiv ideaalselt kvaliteetseks pildistamiseks väga erinevates olukordades.Silmapaistev optiline sooritus16-30mm f/2.8 G2 optiline konstruktsioon sisaldab spetsiaalseid läätsesid, mis vähendavad kromaatilisi ja muid moonutusi. Tulemuseks on kogu suumivahemikus teravad, kõrge lahutusvõimega kujutised ning loomulikult sujuv ja esteetiline bokeh.Ülikiire, täpne ja vaikne autofookusAutofookust juhib Tamroni kõige kiirem ja täpsem VXD-lineaarmootor, mis tagab erakordse täpsuse ja kiiruse. See sobib suurepäraselt kiirelt liikuvate objektide jälgimiseks, muutes objektiivi ideaalseks näiteks rulaspordi ja muude dünaamiliste stseenide jäädvustamiseks.Tamron Lens UtilityObjektiiv kasutab Tamron Lens Utility tarkvara, mis võimaldab seda ühendada arvutiga. Tänu sellele saad ise objektiivi valitud seadeid kohandada ja püsivara värskendada. See omakorda pakub paindlikke võimalusi, mis sobivad iga konkreetse pildistamise või videosalvestuse olukorraga.5 aastat lisagarantiidTamroni objektiivid on alati olnud tuntud oma suurepärase kvaliteedi poolest ja seetõttu võid mistahes Tamroni objektiivi ostul nende käest julgelt taotleda tasuta 5-aastast pikendatud tootjagarantiid.Selleks tuleb Sul minna Tamron Warranty lehele ja objektiiv registreerida kahe kuu jooksul alates ostukuupäevast.
See kauni disaini ja taskukohase hinnaga objektiiv on suurepäraseks lisandiks iga harrastaja kaamera komplekti. Tänu kiirelt muudetavale avale, sobib see objektiiv ideaalselt kaunite portreepiltide jäädvustamiseks, millel on kenasti udustatud taust ...
See ülikompaktne objektiiv sobib sinu Lumix G seeria kaamera ette nagu kinnas kätte. Tänu kompaktsusele on seda ülimugav kaasas kanda. Samas katab objektiiv kõige vajalikuma vahemiku, 24-64mm (35mm ekvivalendina), alates ...
See suure vaatenurgaga valgusjõuline objektiiv teeb erinevates situatsioonides pildistamise ning videosalvestuse mugavaks. Tänu f/2.8 avale on võimalik ilma lisavalgustusega töötada ka nõrkades valgusoludes., Objektiiv on ...
